You know flume meaning8/15/2023 ![]() ![]() I guess it’s because every producer is brought up with their own technique. The best ones usually happen the fastest. The important thing is to get my ideas out of my head and into the real world as fast as possible. Some people sit for a long time writing, but I usually try to spread it all out really quickly. Sometimes I’ll start with the beat, and that will in turn be a beat-driven track. And usually when I start with the melody that means that the drumbeat is going to be relatively simple, and the focus will really be around the melody. "Insane" was one of the songs that I started with the melody. If it’s a chord progression, that means the track is probably going to be really focused around the melody of the track. I usually sit down at the start with either a chord progression or drumbeat, depending on where my head is at the time. Apart from that, I really try not to force the music. I never try and force it, unless I have a really strict deadline, which I sometimes do when doing remixes. I never write unless I’m feeling inspired. Can you talk a bit about what goes into making a Flume track? Tell us a bit more about your music-making process. And therefore, I could take the best elements of each genre and put into one. I think that gave me the flexibility as a producer to understand how all these genres work. And then, it developed into writing a huge range of genres, be it pop music, crazy orchestral pieces with no drums, really experimental stuff, R&B, indie, disco-literally everything. When I first started writing music, I was writing heaps of 140 beats per minute, like euro trance. I think it’d be pretty cool.ĭo you think your music has evolved since you began producing? I’d like to add that kind of live element on stage if I could. I guess the reason I didn’t continue playing it is because I can’t really play the music that I’m into on it, you know? But I’m thinking about trying to incorporate more in the future with the new music. I played the saxophone throughout school, but I had always been into electronic music. When did you make the transition into electronic music? When I saw how it worked, I became really interested and started poking around. I’d never thought of music being laid like that. And if you joined them all together, it would make a full song. And I thought it was really cool-the whole concept of how there was the drums on one track, the synth on another, and the bass on another. I was pretty young at the time and I thought it sounded pretty cool, so I got my dad to get the cereal for me. It was like a little gimmicky music program that the cereal had in it-Nutri-Grain to be exact. Can you tell us a little bit more about that? Word on the street is that you got your first taste for mixing from a toy you found in a cereal box at the age of 11. It’s world music, so a lot of African scene and stuff like that. Also, one of the first records I was ever given was Deep Forest, which is a pretty wild kind of record. I’ve listened to Moby for a long, long time-since I was very young to quite older. That was the first I ever bought with my own money. Well, the first record I ever bought was Aqua featuring some of the singles " Barbie Girl", " Doctor Jones"… a few other ones there (laughs). I started bringing CDs over for him to burn new music onto every week.ĭo you remember the first record you ever bought? ![]() I’d hear this crazy trance music and I totally got into it. I’d go over there when I was nine or so and I’d hear all this music that he was playing, which I guess I hadn’t been exposed to. When did it all begin?įlume: Probably when my next-door-neighbor’s older brother would play a whole bunch of trance music. The Creators Project: Let’s start from the beginning. Starting with moving his studio out of his childhood bedroom, the hungry producer isn’t slowing down. We managed to pin him down to answer some of our questions about his beat-making process, influences, dream collaborations, and to see what all the hype was about. His unconventional approach to mixing involves taking elements from mismatched genres, from hip hop to straight up pop-Streten is open to it all. ![]()
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